Concertmaster weighs in…it’s pure honey
Madeline Adkins, the concertmaster of the Utah Symphony, highlights the significance of Abravanel Hall, describing it as "our home" where the musicians "pour our heart out every week." Adkins emphasizes the hall's exceptional acoustics, comparing its sound to "honey," and its importance to the musical community. This sentiment reflects the broader public concern over the potential renovation or demolition of the hall as part of Utah Jazz owner Ryan Smith's plans for an entertainment district.
Adkins and other symphony officials have been in discussions with Salt Lake County Mayor Jenny Wilson and representatives from Smith Entertainment Group, aiming to integrate Abravanel Hall into the new district. The hall, opened in 1979, has become a cherished venue for the Utah Symphony and other musical performances, renowned for its superb acoustics due to the extensive use of wood in its construction.
The community has shown strong support for preserving the hall, evidenced by a petition with over 35,000 signatures and public advocacy during a Salt Lake City Council meeting. The county's master plan estimates that necessary renovations for the hall could cost at least $200 million, addressing issues like heating and cooling, accessibility, acoustics, and space expansion.
Craig Jessop, former music director of the Tabernacle Choir, praises the hall as an iconic symbol of the arts in Utah and recalls its history of hosting world-renowned artists and events. He notes that its acoustics were essential to Maurice Abravanel, the hall's namesake, who prioritized sound quality during its construction.
Adkins expresses hope that the hall will be preserved as part of the new entertainment district, highlighting the emotional impact of community support on the musicians. The ongoing efforts to save Abravanel Hall underscore its cultural and historical significance to the people of Salt Lake City and Utah.